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Good Charlotte
Boys And Girls
(..)
Intro x2
G-----------------------
D-----------------------
A---------------6—5-----
E--4-0-4-6----4-----6---
Riff 1 x4 last time
G-------------------|---------
D-------------------|---------
A-------------------|---------
E---4444---66666----|-4444444-
Chorus x2
G-------------------------------------
D-------------------------------------
A—6666666-5555555---------------------
E------------------------4444444444---
Intro x5
G-----------------------
D-----------------------
A---------------6—5-----
E--4-0-4-6----4-----6---
Riff 1 x3 last time
G-------------------|---------
D-------------------|---------
A-------------------|---------
E---4444---66666----|-4444444-
Chorus x4
G-------------------------------------
D-------------------------------------
A—6666666-5555555---------------------
E------------------------4444444444---
Bridge x2
G-----------------------
D-----------------------
A—---3-------6-5--------
E--6---4---------4------
Chorus x4
G-------------------------------------
D-------------------------------------
A—6666666-5555555---------------------
E------------------------4444444444---
REST
End(till fades out)
G------------------ Please Rate This Tabs.
D------------------ Thank You. (..)
A------------------
E---4-6--4-6--4-6--
Taken from The BassMasta -- http://www.bassmasta.net
|
No Picture
ryan Lead Player |
#1 by ryan harney at Mar 12, 1991 at 1:27 AM EST |
| Roger has, for most of his writing career, had a thing about losing his father in the war. This is the earliest one I've identified, and I grew weary when The Final Cut appeared. I had a boring job in my late teens, looking after a large number of aircraft batteries which regularly came to me for maintenance. I named them all, using names from Floyd songs; when I ran out of them, I used entities from Bowie and Stones numbers, painting them in tiny letters on the ends of the cases. I didn't use Corporal Clegg. | |