#-----------------------------------PLEASE NOTE------------------------------------#
# This file is the author's own work and represents their interpretation of the #
# song. The owner of this website has not reviewed the contents of this file and #
# does not support copyright infringement or violating the rights of any artist #
# or legal entity. If you feel that the content of this file may be violating #
# copyright law, you may not use the information displayed here in any way. #
#----------------------------------------------------------------------------------#
The Police - Behind my Camel
Tablature spacing indicates rough timing but it is best to
listen to the song.
Main Riff
G-----------------------|--------------------|------------------|
D-----------------------|--------------------|------------------|
A------3---------3--3---|---3---------3--3---|---5-------5--5---|
E-----------------------|--------------------|------------------|
Variation
G-----------------------|
D-----------------------|
A-----------------------|
E------3---------3--3---|
Taken from The BassMasta -- http://www.bassmasta.net
|
No Picture
jakadict Average |
#1 by jakadict the brave at Apr 14, 2000 at 6:44 PM EST |
| Summers' 'Behind My Camel', notorious for winning a Grammy for the best instrumental composition, might or might not have deserved it, but where else will you encounter such a tremendous synth/guitar interlocking pattern? Of course, Andy's synth-processed guitar riff can get monotonous, but come on, it's less than three minutes long, and I have learned to treat these things as they deserve after listening to Brian Eno (Andy obviously listened to Brian Eno as well - and to Robert Fripp, too, to both of whom he owes a little something. He later collaborated with Fripp, by the way). [George Starostin] | |
