#-----------------------------------PLEASE NOTE------------------------------------#
# This file is the author's own work and represents their interpretation of the #
# song. The owner of this website has not reviewed the contents of this file and #
# does not support copyright infringement or violating the rights of any artist #
# or legal entity. If you feel that the content of this file may be violating #
# copyright law, you may not use the information displayed here in any way. #
#----------------------------------------------------------------------------------#
TEARJERKER (Bassline)
As recorded by Red Hot Chili Peppers
(From the 1995 Album ONE HOT MINUTE)
Words and Music by Anthony Keidis, Michael Balzary, Chad Smith And David Navarro
Gtr I (E A D G) - 'Standard'
Intro
Slowly Q=84
4/4
Gtr I
Wx11 Q E E Q E E Q E E E. S S S E
|-------------|---------------|-------------------|
|-------------|---------------|-------------------|
|-------------|-5----5-4----4-|-----------------7-|
|-------------|---------------|-3----3-5--5-5h7---|
Q E E E E E E +Q +E. S S S E +S S E Q E E Q E E
|----------------|--------------------------|---------------|
|----------------|------------9---9-(9)-----|---------------|
|-5----5-4-4-----|----------9---9---------4-|-5----5-4----4-|
|--------------7-|-(7)--(7)-------------7---|---------------|
Q. E a E S S S S E Q E E E E E E +E Q E +Q. E
|----------------------|----------------|------------------||
|----------------------|----------------|--------9-(9)-----||
|----------------7s9s7-|-5----5-4-5-7---|-----9------------||
|-3----3-3s5-5h7-------|--------------7-|-(7)--------------||
Verse
Q E E Q E E Q E E S E S S S S S Q E E E E E E
|---------------|----------------------|----------------|
|---------------|----------------------|----------------|
|-5----5-4----4-|------------------4-7-|-5----5-4-4-----|
|---------------|-3----3-3s5-5-5h7-----|--------------7-|
+Q +E S S Q +S S E Q E E Q E E Q E E S E S S S S S
|-------------------------|-----------------|-----------------------|
|--------------9--(9)---9-|-----------------|-----------------------|
|------------9--------9---|-5----5--4-----4-|------------4-5h7-5-0--|
|-(7)--(7)----------------|--------(5)------|-3----3-3s5------------|
Q E E E E E E +Q. E e E E E +Q. E e E E E
|----------------|--------------------|---------------------|
|----------------|--------------------|---------------------|
|-5----5-4-5-----|-------9S12-12---13-|-(13)-----12-12---13-|
|--------------7-|-(7)----------------|---------------------|
Verse
+Q. E e E +Q Q E E Q E E Q E E S S S S S E S
|-----------------------||---------------|----------------------|
|-----------------------||---------------|----------------------|
|-(13)-----12-12-(12)--||-5----5-4----4-|------------4-5-7-5-7-|
|-----------------------||---------------|-3----3-3s5-----------|
Q E E E E E E +Q. E Q. E Q E E Q E E
|----------------|----------------|---------------|
|----------------|---------9----9-|---------------|
|-5----5-4-4-----|-------9--------|-5----5-4----4-|
|--------------7-|-(7)------------|---------------|
Q E E S E S E S S Q E E E E E E +Q E S S E E S S S S
|--------------------|----------------|-------------------------||
|--------------------|----------------|-------------------------||
|--------------4-5-7-|-5----5-4-4-----|-------------------------||
|-3----3-3s5-5-------|--------------7-|-(7)--7-7-7-7-7-7-7-7-7--||
Chorus
Q E S S E E E E +E S S Q S E S +S S E E E E S S E Q E
|------------------|--------------------------|-------------------|
|------------5-----|-----2-2-2--2-0-------0---|-------------------|
|-3--3-3---3---3---|----------------2-(2)---2-|-3-3-3-3---3-5-----|
|--------3-------0-|-(0)----------------------|---------3------0--|
+E E Q S S S S S S S S E E E S S E E E E +E S S E S S E E E E
|--------------------------|-------------------|-----------------------|
|-------2--0h2-2-2-0---0-2-|-------------------|-----------------------|
|--------------------2-----|-3-3-3-3---3-3-----|-----------------2-----|
|-(0)-0--------------------|---------3-------0-|-(0)-0-0-0-0-0-0---0-2-|
+E E E S S E E E E +E E E E e E E E +Q. E e E E E
|---------------------|----------------------|----------------------|
|---------------------|----------------------|----------------------|
|---------------------|---------9S12-12---13-|-(13)-----12-12---13--|
|-(2)-2-2-2-2-0-0-0-2-|-(2)-2-2--------------|----------------------|
Verse
+Q. E e E +Q Q E E Q E E Q +S S S S S E S S S S S
|-----------------------||---------------|-----------------------------|
|-----------------------||---------------|-----------------------------|
|-(13)-----12-12-(12)--||-5----5-4----4-|------------------------4h7--|
|-----------------------||---------------|-3--(3)-3-3-3-3s5-5-5h7------|
Q E E E E E E +Q E E +E Q +E Q E E Q E E
|----------------|--------------------------|---------------|
|----------------|--------11-(11)-12--(12)-|---------------|
|-5----5-4-5-----|--------------------------|-5----5-4----4-|
|--------------7-|-(7)----------------------|---------------|
Q. S S S E. +E S S Q E E E E E E +Q. E e E E E
|-----------------------|----------------|--------------------|
|-----------------------|----------------|--------------------|
|---------------------4-|-5----5-4-4-----|-------9S12-12---13-|
|-3----3-3-3s5--(5)-7---|--------------7-|-(7)----------------|
Guitar Solo
+Q. E e E E E +Q. E e E +Q Q E E Q E E
|---------------------|-----------------------||---------------|
|---------------------|-----------------------||---------------|
|-(13)-----12-12---13-|-(13)-----12-12-(12)--||-5----5-4----4-|
|---------------------|-----------------------||---------------|
Q E E S E S S S S S Q E E E E E E +Q E S S S E S S S E
|----------------------|----------------|-----------------------------|
|----------------------|----------------|----------9-9s11-11-11s13s12-|
|------------------4-7-|-5----5-4-4-----|--------9--------------------|
|-3----3-3s5-5-5h7-----|--------------7-|-(7)-------------------------|
Q E E Q E E Q E E S E S S S E Q E E E E E E
|---------------|--------------------|----------------|
|---------------|------------------7-|----------------|
|-5----5-4----4-|--------------4h7---|-5----5-4-5-7---|
|---------------|-3----3-3s5-5-------|--------------7-|
Chorus
+E E E E E E S S S S Q E S S S S S S E E +E E E. S S E S +S S E
|-----------------------||----------------------|--------------------------|
|-----------------------||----------------5-----|-------2----2-0-----------|
|-----------------------||-3--3-3---3s5s3---3---|----------------2-(2)-0---|
|-(7)-7-7-7-7-7-7-7-7-7-||--------3-----------0-|-(0)-0----0-------------3-|
E S S E S S E E S S E +E E Q S S S S S S S S E S S E. S E E E E
|---------------0-------|--------------7-4-7h9-7h9-|---------------------|
|-----------------------|-------2--7s9-------------|--------------5------|
|-3-3-3-3-3---3---3s5---|--------------------------|-3-3-3-3----3---3----|
|-----------3---------0-|-(0)-0--------------------|----------3-------0--|
|-3-|
+E E E S S S E E E E +E E E S S E E S S E +E E Q e E E E
|-----------------------|-----------------------|---------------------|
|-------2-2-----2---2---|-------4---------------|---------------------|
|-----------2-----2-----|---------------2-0h2---|-------9S=12-12---13-|
|-(0)-0-------0-------2-|-(2)-2---2-2-0-------2-|-(2)-2---------------|
+Q. E e E E E +Q. E e E e E
|---------------------|---------------------||
|---------------------|---------------------||
|-(13)-----12-12---13-|-(13)-----12-12-12---||
|---------------------|---------------------||
Outro
E S S +S S E S S E +S S S S
|-------19-(19)----19----19------------19-----|
|----19---------------------19-(19)-------19--|
|-17------------17----17------------17--------|
|---------------------------------------------|
E S S +S S S S E E +S S E
|-------19-(19)-------------19-(19)-------|
|----19------------19---------------19----|
|-17------------17----17-17------------17S|
|-----------------------------------------|
E E E E S S S S S S E E. S E. S S E. S S E
|-------15----------------17-------|--------19-----21-19-------------|
|----------15----------------17----|-----19------------------19------|
|-13-13-------13h15-15-15-------15-|-17---------17--------17----17S==|
|----------------------------------|---------------------------------|
E S S E E S S S S +S S S S
|----------15-------------17-(17)----17----|
|-------------15-------17---------17----17-|
|-13-13-13-------13s15---------------------|
|------------------------------------------|
E S S E. S S S E S S E
|----------19-----19-------19--------|
|-----------------------19----19-----|
|-17-17-17-----17----17----------17S=|
|------------------------------------|
E S S E S S E S S E E +E E E. S S S S S S S S S
|----------15----------------------|---------19-----19----19----19----19----|
|----------------------------------|----------------------------------------|
|-13-13-13----13-13-------------17-|-(17)--------17----17----17----17----17-|
|-------------------15-15-15-12----|------17--------------------------------|
E S S E S S S S S S +S S E H E E E E +W
|----------15----------------17-(17)----17-|-^19----21-19-------|---------*|
|-------------------------17---------------|-^19----------19----|---------*|
|-13-13-13----13-13-13s15------------15----|-^17-------------17-|-(17)----*|
|------------------------------------------|--------------------|---------*|
--------------------------------------------------------------------------------
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
n/ - tremolo bar dip; n = amount to dip
n - tremolo bar down
n/ - tremolo bar up
/n - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Taken from The BassMasta -- http://www.bassmasta.net
|
No Picture
DrUnk Idi0t #1 Average |
#1 by DrUnk Idi0t #1 at Dec 10, 1975 at 4:21 AM EST |
| I really like One Hot Minute, even if the band hates it. But there is no _way_ Dave Navarro is better than John Frusciante (correct spelling). John is a fucking genius. Check out some of his solo work, like the latest album To Record Only Water For Ten Days, or some of the earlier stuff like Smile From The Streets You Hold. It's very interesting. Very beautiful and understated. | |
|
No Picture
dale Average |
#2 by dale at Sep 26, 1978 at 10:10 AM EST |
| I'd say Kurt Cobain. Hillel Slovak didn't have pale blue eyes or whiskers. He also says that the first time he saw him was backstage, so it couldn't be hillel since he and hillel were highschool buddies and such. | |
|
No Picture
dan Average |
#3 by dan binley at Aug 21, 1980 at 9:45 PM EST |
| John Fruciante sucks????? So you're saying that blood sugar sex magic was a shit cd? riiiiiiiiiiiiiiiight | |
|
No Picture
LJ Average |
#4 by LJ at Mar 21, 1983 at 6:36 AM EST |
| Someone once told me that this song was about Kurt Cobain. I have no idea if this is true but the lyrics do go along with this. | |
|
No Picture
Gritch Wanna Be |
#5 by Gritch wefwe at Nov 1, 2000 at 4:39 PM EST |
| the rhcp sound with john Fruciante just sucks! almost no distorcion on the guitars! what the fuck! I really loved the times when Aric Marshall was in the band. And when dave navarro was in the rhcp, the band kicked ass too! By the way, I think navarro is an exellent guitar man! Joh Fruciante really SUCKS! | |