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Spinal Tap
Big Bottom
Key:
/ = slide up
= slide down
b = bend (whole step)
b^ = bend (1/2 step)
b^^ = bend (1 1/2 steps)
pb = pre-bend
r = release-bend
t = tap with righthand finger
h = hammer-on
p = pull-off
~ = Vibrato
* = Natural Harmonic
#(#) = Trill
x = Dead notes (no pitch)
P.M. = Palm mute (- -> underneath indicates which notes)
Tp = Tap wplectrum
Rhythm Fig. 1
G|----------------------------------------------------|
D|----------------------------------------------------|
A|------------------------------------------3----4----|
E|----------------------------------------------------|
G|----------5----4----5----4----5---------------------|
D|----------------------------------------------------|
A|--5--5-----------------------------3--0--3----------|
E|----------------------------------------------------|
G|----------5----4----5----4----5---------------------|
D|-----------------------------------5-----5----------|
A|--5--5-----------------------------3--0--3----------|
E|----------------------------------------------------|
Rhythm Fig. 2
G|----------5----4----5----4----5---------------------|
D|--7--7----5----4----5----4----5----5-----5----------|
A|--5--5-----------------------------3--0--3----------|
E|----------------------------------------------------|
Rhythm Fig. 3
G|----------5----4----5----4----5---------------------|
D|--7--7----5----4----5----4----5---------------------|
A|--5--5-----------------------------3--0--3----------|
E|----------------------------------------------------|
Rhythm Fig. 4
G|----------------------------------------------------|
D|-----------------------------------------5----------|
A|--5--5--5--5--5--0--3--4--5--5--5--5--5-----3--4----|
E|----------------------------------------------------|
G|----------5----4----5----4----5---------------------|
D|----------5----4----5----4----5---------------------|
A|--5--5-----------------------------3--0--3----------|
E|----------------------------------------------------|
Rhythm Fig. 5
G|----------------------------------------------------|
D|-----------7-----------------------7----------------|
A|--0--4--7-----0--0-----0--0--4-/7-----0--0-----0----|
E|--------------------3-----------------------3-------|
End 1
G|-------------------------------------------7--9-----|
D|-----------3--3--3--1--3------------5--7/9----------|
A|-----0--3-----------------------5/7-----------------|
E|--1-----------------------3--3----------------------|
End 2
G|-------------------------------------------7--9-----|
D|-----------3--3--3--1--3------------5--7/9----------|
A|-----0--3------------------------5------------------|
E|--1-----------------------3--5/7--------------------|
Rhythm Fig. 6
G|----------------------------------------------------|
D|----------------------------------------------------|
A|--3-------------3------1--------1----1/-------------|
E|-------------3--------------------------------------|
G|----------------------------------------------------|
D|-----------8----8-----------------------------------|
A|--6--------6----6-----8--8--8----6--8---------------|
E|----------------------------------------------------|
G|----------------------------------------------------|
D|--------------------------------3-------------------|
A|--3-------------3------1--------1-------------------|
E|-------------3--------------------------------------|
G|---------8-8-8--------------------------------------|
D|----------------------------------------------------|
A|--6-------------------------------------------------|
E|----------------------------------------------------|
Rhythm Fig. 7
G|-----------------------------3--3-------------------|
D|-----------------------------3--3-------------------|
A|--3-------------3-----1-----------------------------|
E|-------------3--------------------------------------|
G|--8--------8--8--8----------------------------------|
D|--8--------8--8--8-----10--10--10----8--10----------|
A|--6--------6--6--6-----8---8---8-----6--8-----------|
E|----------------------------------------------------|
G|----------------------------------------------------|
D|------------------------------3--3------------------|
A|--3-------------3------1----------------------------|
E|-------------3--------------------------------------|
G|-----------8--8-------------------------------------|
D|-----------8--8-------------------------------------|
A|--6-------------------------------------------------|
E|----------------------------------------------------|
Rhythm Fig. 8
G|--------------------------------3-------------------|
D|--------------------------------3-------------------|
A|--3-------------3------1-----------1----------------|
E|-------------3--------------------------------------|
G|-----------8--8-------------------------------------|
D|--8--------8--8--------10--10--10----8--10----------|
A|--6--------------6-----8---8---8-----6--8-----------|
E|----------------------------------------------------|
G|--------------------------------3--3----------------|
D|--------------------------------3--3----------------|
A|--3-------------3------1--------------1-------------|
E|-------------3--------------------------------------|
G|-----------8--8-------------------------------------|
D|--8-------------------------------------------------|
A|--6-------------------------------------------------|
E|----------------------------------------------------|
Rhythm Fig. 9
G|----------------------------------------------------|
D|----------------------------------------------------|
A|--0--0--0--0--0--0--0--0--0--0--0--0--0--0--3--4----|
E|----------------------------------------------------|
Rhythm Fig. 10
G|----------------------------------------------------|
D|----------------------------------------------------|
A|--0--0--0--0--0--0--0--0--0--0--0--0-----0--3--4----|
E|--------------------------------------3-------------|
Rhythm Fig. 11
G|----------------------------------------------------|
D|--7--7--5--7--7--7--5--7----7--------7--------------|
A|--0--0--0--0--0--0--0--0----0--------0--------------|
E|----------------------------------------------------|
< - - - - 4x - - - - - > < - 2x - >
G|----------------------------------------------------|
D|--7-------------------------------------------------|
A|--0-------------------------------------------------|
E|----------------------------------------------------|
[Rhy. Fig 1]
[Rhy. Fig 2] (3x)
[Rhy. Fig 3]
[Rhy. Fig 4] (2x)
[Rhy. Fig 5 w/ end 1]
[Rhy. Fig 6]
[Rhy. Fig 2]
[Rhy. Fig 3]
[Rhy. Fig 4] (2x)
[Rhy. Fig 5 w/ End 2]
[Rhy. Fig 7]
[Rhy. Fig 10]
[Rhy. Fig 2] (3x)
[Rhy. Fig 3]
[Rhy. Fig 5 w/ End 2]
[Rhy. Fig 8]
[Rhy. Fig 11]
Taken from The BassMasta -- http://www.bassmasta.net
Brought to you by the BassMasta
http://www.bassmasta.net/s/spinal_tap/127244.html
|
No Picture
Bass Average |
#1 by Bass Man at Mar 27, 1975 at 3:16 PM EST |
| when he says "how could i leave this behind?" does he mean an ass or like just leaving or something? | |
|
No Picture
Commie Badass |
#2 by Commie Hunter!!! at Apr 18, 1979 at 9:23 AM EST |
| 'how could i leave this behind?' best double entendre in rock history | |
|
No Picture
Ben Average |
#3 by Ben at Oct 12, 1979 at 6:16 PM EST |
| goatse.cx Anyway - I had this song on my computer for about 3 years before I watched the movie. Then I recognized Chris Guest about 5 minutes before the movie ended and I'm like...wait...this ISN'T a real band??!! Embarassing. | |
|
No Picture
Kezza Wanna Be |
#4 by Kezza at May 6, 1980 at 3:52 PM EST |
| TAP! TAP! TAP! TAP! | |
|
No Picture
Kevin Wanna Be |
#5 by Kevin at Sep 24, 1988 at 5:16 PM EST |
| All about a woman that has a bit of meat on her bones. In the context of the song, i'm not too sure how "big" but I like a woman to be a bit thick back there. IcaRimes, I'm sure you're not the only one! | |
|
No Picture
†grave† Lead Player |
#6 by †grave† f at Aug 31, 1991 at 2:55 AM EST |
| In the greater context of the film in which this song appears, a great amount of meaning can be derived from this song. Primarily we see a woman constantly compared to objects and having her assets commented on. As the film itself is a satire, the song, too, is (obviously) meant to be satirical. I would like, however, to mention the symbolism at the end of the first verse. I think these two objects are expressive of the nature of love, both sexual and romantic. A flesh tuxedo could be considered a very disturbing thing, just as a pink torpedo could be an absurd thing. Love can be quite disturbing and often quite scary, just as it can be absurd. Love also causes people to perform in scary and absurd ways. (This analysis was previously written for a lit class, so forgive me for sounding so trite.) | |
|
No Picture
Mike Average |
#7 by Mike at Dec 29, 2001 at 9:55 PM EST |
| Buttsex. | |
|
No Picture
josh Wanna Be |
#8 by josh donaldson at Dec 11, 2004 at 1:12 AM EST |
| This song is so freakin' funny on more than one level. The lyrics are funny period. But what makes this song ridiculously funny his the fact that Spinal Tap is not trying to be funny they are trying to be clever and sexual. This song so hilariously parodies so many bands that tried to use clever sexual euphemisms and metaphors. The first time I heard the words "How could I leave this behind" I laughed till I couldn't breathe. Spinal Tap is just plain fun. Now all we need is a Spinal Tap type of movie to parody the horrible modern rock of today. It's sad that a semi-fictional band like Spinal Tap is more entertaining than most of todays bands. | |