#-----------------------------------PLEASE NOTE------------------------------------#
# This file is the author's own work and represents their interpretation of the #
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#----------------------------------------------------------------------------------#
Your going to have to listen to the
song to see how many times you play
each riff some parts are palm muted
DROP D TUNING DADG
G-------------------------------
D-------------------------------
A-------------------------------
D--000-5p0-000-333-666-555-222--
G----------
D----------
A----------
D-1-8-2-7--
G----------------
D------6-5-3-5---
A----------------
D--000-----------
G----------
D----------
A----------
D-1-8-2-7--
G----------------
D------6-5-3-5---
A----------------
D--000-----------
G----------
D----------
A----------
D-1-8-2-7--
G----------------
D----------------
A----------------
D--000-000-000---
G--------------------------
D--------------------------
A--000-888-777-----777-----
D--------------555-----333-
G------------------------------------------
D------------------------------------------
A--7-7/8-8/10-10/12--7-8-3-----------------
D------------------------------------------
G--------------
D--------------
A--------------
D--77--55--33--
G------------------------------------------
D------------------------------------------
A--7777777777-8888888888-3333333333--------
D------------------------------------------
G--------------
D--------------
A--------------
D--77--55--33--
G----------------------
D----------------------
A----------------------
D-7--7-55--5-33--3-55--
G---------------------------------------------
D---------------------------------------------
A---------------------------------------------
D--3--3-3-3--3-3-5--5-5-5--5-5-7777-7--777-7--
G--------------------------
D--------------------------
A--------------------------
D-77777777-7--777777777-7--
G-----------------------------------------
D-----------------------------------------
A-000000000-222-333333-55-----------------
D-------------------------3333333-5555555-
G---------------------
D8-7-5-3-8-7-5-7-5-3--
A---------------------
D---------------------
G-3---2-----2------8--7--8-7h8p7--
D--------3----3--8---------------8
A---------------------------------
D---------------------------------
G-----------------------------------------
D-----------------------------------------
A-------------------------8---7----3---0--
D--8--8-8-8--8-8-8--8-8-8-----------------
G-------|-------
D-------|-------
A-------|-------
D-0--0--|0-0-0-0
G--------|-------|-------
D--------|-------|-------
A10-8-7-8|8-7-5-7|7-5-3-5
D--------|-------|-------
G---------------------------------
D---------------------------------
A---------------------------------
D-85/85-|-74/74-|-107/107---
G-------------------------
D-------------------------
A-------------------------
D-0-2-3-0-2-3-0-3-8-5-7-3-
G----------------------
D----------------------
A----------------------
D-2-2-2-2-2------------
G----------------------------------------------
D----------------------------------------------
A----------------------------------------------
D-0-0-----0-0-----0-0----|0-0-------0-0----0-0-
G-------------------------
D-------------------------
A-------------------------
D-2222222-2-|-33333333-3--
(play open 0 to the song)
G----------
D----------
A----------
D--00000---
ENJOY!
Tab Discussion, Comments, and Critiques
|
No Picture
2D Average |
#1 by 2D at Mar 16, 2006 at 2:15 AM EST |
| double bass in this is soooo sick. i wish me could rock out like these guys. to bad. saw them at solid state not to long ago. they kicked asss | |
|
No Picture
Ronnie Average |
#2 by Ronnie Lee at Apr 18, 2006 at 10:31 PM EST |
| its all about the Jeebus | |
|
No Picture
Anton Average |
#3 by Anton Eklund at Jul 14, 2006 at 7:16 AM EST |
| I think the reason some people don't like Spencer Chamberlain is the fact that he never really grunts, therefore forcing Underoath to adopt a "Screamo sound". AoD and CotP were more metal, while They're Only Chasing Safety, The Changing Of Times, and Define The Great Line were more along the lines of Metalcore. Define The Great Line was a lot heavier than Chasing Safety and Times, perhaps with the next album, they'll get their Metal feel back. | |
|
No Picture
Chase Average |
#4 by Chase K at Aug 25, 2006 at 3:23 AM EST |
| The difference between "Acts of Depression" and "Cries of the Past" is most noteably the addition of a keyboard. It adds a whole different dynamic to their songs. I was a huge fan of AoD but this album blew me away also. Is there any old school Underoath fans that doesn't like the new stuff like me? And if you like Dallas Taylor (old Underoath vocalist), then check out his new project Maylene and The Sons of Disaster. They're southern trash metal but it's absoultely amazing. | |
|
No Picture
Jared Wanna Be |
#5 by Jared at Mar 9, 2007 at 8:46 PM EST |
| Great song, but not a lot of support from the hardcore community on this site, which is too bad, because this band is amazingly talented. | |
|
No Picture
Average |
#6 by Another.Kind.Of.Pain at Jun 20, 2007 at 5:11 PM EST |
| My favorite old Underoath song. | |
|
No Picture
Zoe Wanna Be |
#7 by Zoe that thing at Aug 10, 2007 at 5:38 AM EST |
| Drum riff in the beginning is amazing, this band is great. Good song. | |
|
No Picture
jake Average |
#8 by jake gonzales at Sep 15, 2007 at 5:46 PM EST |
| awesome drums by the last remaining member of the origonal underoath. i really dont see why old UO fans hate spencer so much. i think both him and dallas rox | |
|
No Picture
tommy Average |
#9 by tommy h at Oct 17, 2007 at 6:41 PM EST |
| best old underoath song. i LOVE the DB in this song. so sick. | |
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